While “authentic” piano recordings of Romantic composers are not very common, there are a handful of musicians who have recorded these works on the fortepiano, or the instrument of the time of Mozart, Beethoven and Schubert. The best-known performer is probably Roland Brautigam, who has recorded complete sets of music, for the Swedish label Bis, by Haydn and Mozart. Brautigam is currently completing a cycle of Beethoven’s solo piano works – the latest release in this series is dedication to variations.
While Brautigam records exhaustive sets, other performers record some of this piano repertoire on fortepiano. Andreas Staier, who recently released a recording of Beethoven’s Diabelli Variations on fortepiano, has never recorded “cycles” of any composer’s works, but flits around from one composer to another.
But these pianists tend to neglect Franz Schubert. Now that Brautigam is reaching the end of his Beethoven cycle, I hope that he will record Schubert’s many wonderful piano works.
But in the meantime, there is an excellent series of recordings of Schubert’s piano sonatas by Paul Badura-Skoda. This pianist recorded all of Schubert’s piano sonatas on three three-disc sets for the Arcana label. (Here’s volume 1.) As with the other composers cited above, the fortepiano brings the listener back to the instrument that the composer used when writing the music. (Or, in the case of Mozart and Haydn, some of their music was originally composed for harpsichord.) The sound is more intimate and the sustain shorter than a modern piano. But when you consider the dynamics, the attack and the sustain, these composers wrote music for those characteristics, not for those of today’s Steinway or Bösendorfer.
Unfortunately, other recordings that Badura-Skoda made for the Astrée label, of the Impromptus, the Moments Musicaux and the Wanderer Fantasie, are out of print, and are very expensive. One can hope that these will be brought back into print someday.
But I also hope that Brautigam will start recording Schubert. He is a sensitive musician, and his recordings of Haydn, Mozart and Beethoven are excellent. I love listening to music of this period on original instruments. If you haven’t done so, I strongly recommend some of these recordings by Brautigam and Badura-Skoda.
Beyond the works for solo piano, what about lieder recorded with fortepiano? The six discs of “Poets of Sensibility” in the Naxos Schubert Complete Lieder set use a fortepiano, and the results are very interesting. And the recordings of the three song cycles on Musica Omnia have Penelope Crawford playing fortepiano. (I’ll be reviewing those discs soon.) But this is the exception. Other than a handful of lieder recordings with fortepiano, there is little HIP (historically-informed performance) attention paid to Schubert’s lieder. It would be very interesting if there were a new recording of the complete lieder with fortepiano. One can only hope…Posted: 8/30/2012 by Kirk | Filed under: Other Schubert Music, Recordings | Tags: fortepiano, piano, Schubert | No Comments »